![]() ![]() ![]() In the consumer world, film may have been sunk by digital technology, but wet black-and-white darkroom photography is alive and well in academia. Reports of the death of analog photography have been greatly exaggerated. © Kimberly Ly Grace Oxley from Hendrix College used a Pentax K1000 with Kodak Tri-X 400 film 11×14-inch Ilford Multigrade fiber print. © Lee Rogers A photogram by Kimberly Ly, also of Hendrix, on Oriental variable contrast glossy fiber paper, 11×14 inches. © Christian Rodriguez Visually impaired Hendrix student Lee Rogers can’t use the darkroom, but the lessons of the traditional process were essential to this digital work. © Andrew Jarman Christian Rodriguez of Savannah College of Art and Design used a Mamiya RZ ProII and Fuji Acros 100 film he printed on 11×14-inch Ilford fiber paper. Printed on Ilford Variable contrast FB glossy paper. © Hank Ketelsen Andrew Jarman of the Pratt Institute photo department shot this in Oregon using a Graflex 4×5 and Delta 100 film. Hank Ketelsen of Savannah College of Art and Design created this silver gelatin photogram in the darkroom on 11×14-inch Oriental RC paper. ![]()
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